Sunday 5 April 2015

Visual & Sound Diary: The Tree of Life (2012)


Visual & Sound Diary is a weekly feature where I explore a chosen film of distinctive cinematography and musical composition via the score, soundtrack and stills. 
Click play on the link supplied of the selected music and scroll through the images. Be reminded and inspired of the cinematic splendour. 
Note: the last shot is my pick for the best shot.

The experience of watching a Terrence Malick film is a visceral one, akin to being immersed in dream. What Malick endeavours to achieve in the making of a film is not to craft a satisfying, insightful narrative, but rather to capture a sensation, an atmosphere.  Ever ambiguous, sparse on dialogue, captivating in both its visuals and enticing use of sound-mixing, The Tree of Life is a revelation. Malick, in abandoning the standards of conventional storytelling, leaves much to the free interpretation of the viewer. Afflicted with poetic and philosophical ambitions, the film depicts a middle-aged man searching through his childhood memories, grappling with the death of his younger brother and his tumultuous relationship with his parents. However, this is a deceptively simple synopsis - the film is beyond description: it is a sprawling exploration of life's meaning, of evolution, humanity, an aesthetic vision of epic proportions. Fluid and strange, the feature drifts momentously in its narrative scope, from the deeply personal introspection of a childhood recollection to the grand imagery of the birth and evolution of living creatures.

Malick's vision is largely achieved due to the transcendent craftsmanship of celebrated cinematographer Emmanuel Lubezki and the experimental efforts of special effects master Douglas Trumball. Many of the evolution sequences are generated not by computer manipulation  but through the speculative use of liquid chemicals, smoke and fluorescents as Trumball once did with science-fiction greats 2001: A Space Odyssey, Close Encounters of the Third Kind  and The Blade Runner. The fluid, aerobic camera-work principal to the construction of the reverie optimises the use of framing using doorways, light manipulation and silhouettes. The film is furthered by the ethereal score, marvellously composed by Alexandre Desplat, a haunting operatic representation of the feature's grand scope.















































4 comments:

  1. Great selection for this series! You can pick most any frame from The Tree of Life, and end up with a flawless composition. One of the finest looking films ever, no question.

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    1. Thank you! I don't think I can ever go wrong with Terrence Malick film on this series. I'll probably eventually covering all of his films!

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  2. Great post! I would rank Tree of Life in the top 5 theatrical movie going experiences of my life. I know some found it pretentious, but I felt calm and at peace with the world after the screening. That was in large part due to the fantastic visuals. I agree it deserves to be compared with masterpieces such as 2001: A Space Odyssey and Blade Runner

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    1. I think its both its ambiguity and its sky-high ambitions which people found pretentious. But I loved it for these very reasons. Its visuals were truly spectacular.Some consider it THE masterpiece of the 21st century.

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